If you’re looking for the first two chapters of Lori’s and my upcoming book-
The Rose Amongst the Thorns, please click here!
You may also enjoy a related article entitled My Mother
On my wanders around the world of the Internet I find some interesting folk. Today, I want to introduce someone who really has something to offer all you talented artists out there. George Vega is a well-respected, talented illustrator. He is now a publisher and he wants to work with both new and tested talent. Let George explain…
A) Hi, Nick, I would describe myself as a nice and patient guy. It feels to me that people like being around me. I’m awesome at parties! (laughs) I work hard and believe that many have more talent than I, but few can outwork me. This may come from my Kung Fu background,
Q) Kung Fu? So you’re a martial arts expert as well?
A) I am a Black Belt in Northern Shaolin Kung-Fu. I’ve competed in forms and weapons competitions NASKA from 1999- 2002. Back in 2001, was ranked second in Chinese Open hand forms and Chinese style weapons. So, ‘expert’? I don’t know, but I truly love to practice and train. I’m always trying to push myself and understand why this martial art has lasted about 1000 years.
Q) Of course, martial arts centres around patience. Would you say that’s where you picked up your patience?
A) Yes, your right. That’s where my patience may have come from. It helps me deal with people and stand up for myself in a verbal sense.
Q) You are a talented illustrator and graphic designer. Did you have to push yourself to become so good at what you do or did it come naturally?
A) P-U-S-H!!!! Ha! I think the passion is natural. I went to F.I.T. (Fashion Institute of Technology) in New York, and my focus was not right those years. Truthfully, I had it easier with graphic design.
I studied graphic design after really not doing much with illustration for years. Graphic design did flow but did not fully satisfy me creatively.
Q) The fire was still burning to do more with your talent? Push it further?
A) Yes, I believe so, because you practice and push yourself to your limits. So, at times, when I watch a movie or stay on the couch watching TV, a little voice goes off in my head and says, “Get to work, you have to keep developing– keep pushing.”
It’s the same voice that would help me as I trained with my Coach and Sifu. However, the answer is certainly ‘yes’– I pushed myself to achieve my current abilities.
Q) Has moving into publishing dimmed the fire at all?
A) It’s tough and it does steal some creative and work time, but I’m trying to cultivate the publishing end of things and want to work with quality people and artists. If I wanted to, I would print cards and hand them to EVERYONE at Comic Con’s Artist Alley and just worry about revenue and getting sales, but I don’t. I try my best to get behind artists who are doing top-notch work, print their books, and showcase them. It would be great to have a full steam ahead publishing company like the big boys where I could also provide creative services.
Q) Are you aiming to become one of the “big boys” in the future? Is that your next goal?
A) Yes, that’s what I’m working on. I can provide publishing services to artists as well as illustration work to other companies.
Q) Are you strongly connected in the world of publishing? To other artists? Other publishing companies?
A) Artists, yes. Some are great friends, too, or we have become friends. Companies– that’s growing daily. I keep making contacts.
Q) As an up-and-coming publisher, how do you feel about the current trend of self-publishing?
A) I think it’s very cool to have that freedom because it gives a chance for that little guy to make something happen. Unfortunately, when you self-publish, you don’t really know if you have something good or if you may lose a lot of money. The kickstarter thing is awesome, but I just hope people don’t get carried away with the capital and not take the opportunity to build something significant. Either way, let people be and the cream always rises.
Q) I read about a lot of writers and artists who lose hope and think they’ll never get recognised for their talents. Did you ever feel as though your talents would never be recognised?
A) All the time…
I wonder if people actually think I’m talented or not. All I know is my whole life I loved to draw and I loved cartoons. As a kid, my favorite cartoon was Voltron. I watched the credits, wondering if I could contact one of those people to teach me. Little did I know that it was all done overseas. I would like to say that patience is key– I am not a phenomenon– I am just lucky enough to know my passion.
Q) George, what would your advice be to young artists trying to break into the business?
A) Such an important question. The first step is with yourself. Take stock of what you have talent-wise.
Talk to other artists, look for people above you or who are further along. Those conversations can be worth gold as far as understanding where you want to go. Really understand the spectrum of illustration– from comics to concept work to sketch cards, traditional to digital, and everything in between…all of it. Because you have to put your efforts in somewhere and you need to choose where they are best placed. You have to know because there it too much competition out there to muck around.
Q) I think that is some of the most important advice anyone could receive. It’s no good doing anything unless you intend to do it well. Did you always know you wanted to be an illustrator as a kid?
A) YES! I would always say I was going to be an artist. I wish I had someone in my family that new something about it, but my parents were not from the US and spoke very little English. My dad was very hardworking and my mom took care of us. Uncles and aunts were too far away, so I had to figure it out myself.
A) Yes, right or wrong, I did it my way. I think anyone can make it if they just keep at it and make the mistakes as well as the successes.
I am lucky enough to have a series of interviews with George. We will be discussing his publishing company Vegamation, and his own work as an illustrator. I am pumped and ready for it, be sure to catch the next one!
Links for George Vega
Contact George here
Matt Johnson approached me for an interview yesterday. I was having my usual night in with a beer and a few books– did I want to do an interview about his new book? Well, yes… It literally took seconds and said yes. We sat down at around 1am my time and Matt answered all my questions with honesty and precision. The book is about basketball and if there’s one thing I love reading about, it’s sports. Sit down and watch as Matt breathlessly works his way through an interview about his true loves– basketball and writing.
A) I wrote a book because it has always been one of my dreams. I have always enjoyed being creative and have had a goal of being an author for a few years now. I also love basketball and wanted to write about something that I am passionate about.
Q) You love basketball, too? Tell me what started your love of the game.
A) Oh boy. I would have to say that it started when I was about eight years old. I would play with my older brothers, Kent and Brian, in our driveway. Then I played for some YMCA teams and all the way up a bit in high school. I love watching it, reading about it, and playing it. It has brought me so many memories, friendships, and happy times.
Q) It sounds like, in a way, basketball helped shape your personality. Would you agree with that statement?
A) Yes, it is a big part of my life. So many aspects of basketball make up my personality. The competitiveness, the hard work it takes to be a good player, and just the love of taking on a challenge. I felt the same way in writing my book, The Biggest What-If’s in Los Angeles Lakers History. It was a challenge and one that I relished.
Q) Can you tell me about the biggest challenge you have faced in your life so far?
A) The biggest challenge of my life is helping others and being the person that I know God wants me to be. I think we all have the potential to do great things on this planet, but sometimes we fall short for whatever reason. We tell ourselves we are not good enough. I think it is important to look inside and see the potential we each have. We can each make a difference in our communities and our families. That is what life is all about.
Q) Well said! So do you spend a lot of time working with your community?
A) I try to. I have done various things, such as coaching a youth basketball team. I went on a church mission to Houston, Texas and tried to help the people there. I just enjoy helping people. It helps me forget about my own problems or worries.
Q) You sound like the all-American boy to me. Tell me about your writing process. Do you write at night? During the day? With music?
A) Ha, well thank you. I like to write at night. I am a night owl. I typically don’t write with music, as I find that the background noise muddies up my thoughts. Every now and then, I will turn on some music and just relax as I write, though.
Q) Sounds to me like you take your writing seriously. Let’s talk some more about your book. Is it about the strategy of basketball? The history? Your experiences on the court?
A) It is a hypothetical look at “what-if” scenarios of the basketball team, the Los Angeles Lakers. It poses questions that fans would find interesting and would enjoy debating. For instance, “What if Magic Johnson had played long enough to have played alongside Shaquille O’Neal and Kobe Bryant?” It’s just fun questions like that to ponder in your head.
Q) Los Angeles Lakers– you’re Californian?
A) No! Far from it, although my girlfriend is from Los Angeles and my dad grew up near there. I am actually from South Dakota. It was my dad that passed on his love of the Lakers to me.
Q) About the Lakers, do you follow them solely or do you like other teams, too?
A) I root for the Lakers because I love their tradition and many of the players they have had. So I root for them above any other team; but as a basketball fan, I do appreciate talent. I also like the Dallas Mavericks and the New York Knicks, but the Lakers are my one true love.
Q) Let’s talk about the impact of your book. How are people taking to it so far?
A) Well, it just came out this morning and so far the sales have been a bit disappointing, but it is early. It is a short book meant to entertain, so I hope people realize that. I have received a lot of support from my friends and it has garnered some “likes” on Facebook, so hopefully people will enjoy it.
Q) I am sure sales will pick up! Give it time! Where can readers get it?
A) I haven’t set up a facebook page yet, but I am in the process of it. If anybody wants to buy the book, they can do so at CreateSpace and it will be available in the next week on Amazon.com. The best way to contact me is to add me on Facebook, or visit me at my portfolio, http://mgjportfolio.weebly.com/
Q) Well, I will be getting a copy! What do you like to do outside of sports and writing, Matt?
A) I love spending time with my family. I have two older brothers (one of which actually helped me put this book together) and two younger sisters, and parents that I actually get along with! Imagine that, haha. I also love playing guitar. I am just a beginner but it is a lot of fun. I love watching movies, especially thrillers. You will often find me in the gym or on the basketball courts, of course.
Contact Matt on Facebook or at his portfolio, listed above.
Joel Seath is an author who writes to find the beautiful things in the world and to explore the characters that make life wonderful and sad. I met Joel on my travels and immediately cottoned onto his love for all things literary. We set up and interview and he answered my questions with ease. I found myself sitting back to listen to what he had to say rather than thinking of another question. Easy interviews are rare– but this was one of the easiest.
Q) So Joel, why did you become an author?
A) It’s a compulsion, a drive, I suppose. When you write you just need to keep on writing.
Q) What does a compulsive drive to write feel like?
A) It often feels like blocking out, locking in, sinking in. You know? Some days it’s a rush. Some days you read and re-read and it’s like you’re looking at something that shines (or might shine) and you want to keep that, show that, have that, always.
Q) Do you ever find it hard to stop yourself from writing? Is it like a daze or a dream you can’t break from?
A) Physically writing (or typing), yes, I suppose. I mean, it can be extremely immersive, as many writers will know. However, that immersion also plays itself out in the day-to-day, pen not in hand, computer not on. Words (or the possibility of them) are everywhere.
Q) Words are your thing as a writer? So what is your favourite word?
A) What an excellent question! A barman asked me what my favourite book was recently (your question reminds me of that): how to pick one? You can tell by the long pause that this has given me cause to think. I can tell you what my most recently learned word is (and, by extension, a current favourite): tenebrous.
Q) Tenebrous? So what does tenebrous mean?
A) It’s to do with the obscure, the dark, as I understand it. This isn’t a reflection of my writing; rather, the word has a sort of rhythmic quality to me.
Q) Well, you have to learn something new everyday! So, lets reflect on your writing. What do you like to write about? Tell me about your writing.
A) In all its forms, long and short, my writing is intended as a means of finding the small gems of this world. There are hidden things in between what we just see on the surface– there are textures and layers to relationships, subtleties, moments. I’m looking for the moments that also linger. There are ‘objects’ of beauty, even in the laments, in many places.
Q) It’s interesting that you write about “beauty,” as everyone’s definition of beauty is so different. What’s the most beautiful thing you’ve ever written about? What is “beautiful” to you?
A) Well, beauty is subjective, of course, but I’m sometimes taken aback by how things turn out. It’s unexpected. There are moments that happen which I read time and again because they still have some power over me. In one of my stories, a child’s brief interaction with the narrator takes me in every time; in another piece, it was something I wrote in a female voice because I needed to do this more, I was there with her, as her, in Venice because the words were in that flow state; poetry is a vanity, but there are lines of colour and there are lines that sink me sometimes. Questions such as these are like choosing between children!
Q) If you could write anywhere in the world– where would it be? What landscape would really incite your creativity?
A) On a beach, in the mountains, in a forest, all of these. Specifically, though I’ve done my fair share of overseas travelling, I’d come back to the west of Cornwall. Standing on the cliffs overlooking some of the little unknown coves down there, the sea and the wind in your hair and on your face, that huge sky (it really is huge, like they say in their tourism promotions), makes words just come in for me. The artists there laud it for the light; I just can’t get enough of the energy.
Q) I understand that you’re published so others can enjoy your creative energy. Which of your works are currently available?
A) I’ve got a collection out at the moment (Disintegration and Other Stories). I loosely label this as literary fiction (though that term can be interpreted in many ways). DaOS is out in ebook and print. This collection came together in an odd way: I didn’t realise that there’d been a thread running through some of my writings for a number of years. It was like seeing invisible ink slowly become visible. I’m working on a collection of micro fiction, which will be a first volume (Four Kinds of Wreckage) to be added to. Micro fiction is much misunderstood. Away from fiction, I’m also published in the field of what’s known as ‘playwork’ (a particular way of working with children). I’ve had writings taken on by the national/international playwork publication for the sector, as well as credits with the organisation concerned with psycholudic playwork practice. (Now though, I fear I’m stepping into the jargon of my other calling – though writing is also a big part of this, too).
Q) So tell me Joel– why did you want to be interviewed by me?
A) You do a good job of finding writers, Nick. When I became aware of your work I came over to your blog, and yes, I like what I see here. What you’re doing is exactly what writers need– a way of getting their words out there.
Q) Thank you, Joel. One of my stock questions is to ask– if you could be any writer from any time who would it be?
A) As far as writers are concerned, I have a range (as we all do probably): Milan Kundera, Gabriel Garcia Marquez, Jeannette Winterson, Iain Banks, Ian McEwan, Italo Calvino, Jack Kerouac, Neil Gaiman, Adrian Henri. There are others. I wouldn’t want just one small list to define me, though we start somewhere with questions such as these.
Q) Characters are important to you. What makes a good character for you?
A) The unusual wrapped up in the usual. Subtlety people often might not see. The strangely put. Love in odd places, ways; perceptions of this. Someone who aches in some way.
Q) It has often been said that “repeated readability makes a book.” Would you as an author agree with that?
A) Yes, I think I would. Who was it who said that journalism is read once, whilst literature more than this? Something like that. Anyway, it’s the sentiment here that counts. There are books on my shelf that I come back to time and again; there are passages on some pages that just astound me. Kerouac wrote about ‘fields the colour of love and Spanish mysteries’ in On the Road. I come back to that time and again.
Q) You strike me as an intellectual– someone striving for the beautiful things in life. Would you agree with that?
A) I don’t know about intellectual! I certainly am on the search for the beauty of the world though. That’s in words, in moments, in art, in love and lament, in the play of children, in the play of us, in nature.
Q) What would you personally deem as “ugly”?
A) There’s nothing so ugly as not wanting to see, perhaps. Ugliness is also wrapped up in the politics of power, greed, deceit.
Q) Power, greed, deceit are words usually entwined with politics. How do you feel about the political scene in America right now? Are you an Obama follower?
A) For me these words are part of Politics (as in that which a politician is involved in); however, these words are also within the politics of everyone, their relations. Lennon had an angle here! As for Obama, I don’t really get too immersed in Politics anywhere, if I can help it, because politicians bring the media to their door in many ways. That said, when politicians willfully ignore children and their play, this gets me going! Back to Obama, he strikes me as intelligent enough, though of course I’m not in the US and not directly subjected to American policy.
Q) Well, I think we’ll end there Joel. Thank you for a great interview!
Paul W. Meier sat down with me for a second interview. (Please see the first interview here.) This one was as fascinating as the first– we really wanted to expand our conversation and I really want you to know how great this guy is. I discovered that not only was he an excellent writer, he is also a great human being and a very forward thinking and compassionate guy. I present Paul W. Meier to you again and I hope you are all listening for that voice in your gut—that’s the voice you need to hear.
Q) Hi again, Paul! So tell me what did you think of the last interview?
A) Great! It went places I never expected.
Q) That’s the way with me! So let’s talk about you as a person. What do you like to do for recreation?
A) I’m just now trying to find that out. In the last year, I’ve been working on getting four books out. Two were 80% written before the year started, and then two shorter books I put together during the year. Now that I’ve gotten those out of the way, I think I’ll have some time to go fishing – that’s my recreation. My wife and I are also catching up on some movies. We hadn’t seen any new ones in a long time, so they’re still new to us.
Q) How does it feel to have written four books? That’s an achievement in itself.
A) It’s a relief to get them done. I wanted to have several available so that my blogging and other activities might be more useful. The best part is that I learned more than anyone about the stuff I was writing as I wrote them.
Q) How about your congregation? Have they been supportive?
A) Very much so. They are an incredibly loving and generous group of people. It helps that the research I do for my sermons is much of what I include in my books, so the two activities go hand in hand.
Q) Tell me– how are the books doing? Are you reaching a strong audience?
A) I’ve had a good two weeks since the release of my new book. I’ve done some specific marketing for them because Lent begins on Feb. 13 and two of them will make good devotional books for the season – Praying the Gospels with Martin Luther and O Taste and See. I put together a plan on how to use each of them that can be downloaded from my website for free.
Q) I received an interesting question through my Contact Me page that the writer requested be passed onto you. Does God hear every prayer?
A) Of course. According to the New Testament, we are temples of the living God. God dwells within us. How else would God be able to know our heart? We just forget to look for God within…that’s usually where many of the answers to our prayers lie anyway.
Q) How would someone without any religious education find God within?
A) The same way the Himalayan masters find the Source that Christians call God. The same way people who have never been able to read have found God through the centuries– meditation, prayer, spending time in the quiet. Remember that religious education is simply that, teaching about what someone else thinks about God. You still have to choose whether you agree with them or not. Not enough people think they have permission to think for themselves.
Q) It’s interesting that you mention people following rather than thinking. Have you always had the ability to think for yourself? Or have you learnt that quality?
A) I trusted what others told me for fifty years. That’s when I began the practice of centering prayer and it changed my whole theology and life. It did lead me into spiritual leadership in the Christian faith because I had to start where I was. I think that’s how the Spirit teaches us and moves us along at the pace we are willing and able to hear. Writing my first two books was all about my learning who God is and giving myself permission to disagree where religion didn’t make sense.
Q) So what didn’t make sense to you about religion?
A) The question I always had was this: Why does Jesus’ Father not look much like the God of the Old Testament? They don’t have the same characteristics or personality. Jesus said God doesn’t kill people because of their bad actions. Is that a loving God? The New Testament says God is love, God is light – in Him there is no darkness at all. This is the good news!
Christianity has blended the Judaic faith with the New Testament revelation of God and God has a split personality.
Let me quickly say that I am not putting down the Judaic faith. There are many faithful Jews who have become kind, generous people because of their beliefs.
Q) For British readers I’ve got to ask this– What’s the difference between the Church of England (C of E) and Lutheranism?
A) That’s a broad question, and my only real contact with a group I assume to be related to the C of E (however remotely) is the Episcopal Church in the States. The Lutheran church has many more divisions than the C of E and Episcopal groupings. The similarities between us might best be found in the liturgical aspect of worship, with C of E being more “high” church than most Lutheran congregations are today. Liturgy is a treasure for all of us.
On the other side of the coin, I think Lutherans feel a little more freedom to depart from doing everything the same way. You can walk into three Lutheran churches and experience three completely different kinds of worship service. Theologically, most Lutherans “say” they believe we are saved by the grace of God, but in actuality, if you don’t think the same way, you may be suspect.
You might also take note that this is my opinion, and there are some who will disagree with my assessment.
Q) I’m actually fascinated because growing up C of E I was never really exposed to anyone who was Lutheran. It’s a huge learning curve for me. So what is the Lutheran stance on things like rock music, drugs, etc? Is it frowned upon as it is by the C of E community?
A) I’d say that if it’s legal by the standards of the state, who make laws that are hopefully built upon the desire to promote peace, harmony, and justice among large groups of people, then it might be done in moderation and without harm to self or another. Again, this is my dancing on the head of a pin. Let’s just call it the opinion of one Lutheran. Rock music – okay. Drugs – not legal.
Q) You strike me as a very fair, honest and just guy. I’m sure you’re well respected in your community. Do you find people coming to you for guidance and help often?
A) I minister in a relatively small congregation– 75-80 people in worship each week. I’m in a rural, non-farming community in the Bible Belt. It’s surprising to me that not many people in this area know what a Lutheran is either! The Germans and Scandinavians who immigrated to the states settled further north. So I help whoever God brings to me. Maybe that’s why I feel the need to write, to reach a wider audience.
Q) I had a lot of people ask me, “Who is that guy?” They just instantly liked you. I think you are touching a lot of people out there. How does that feel?
A) Anytime someone says you have helped them, it fills that space within you that wants to feel valued, appreciated, and put on this earth to fulfil a need. It’s like the beatitude: Blessed are those who hunger and thirst for righteousness – for they will be filled. We always come away satisfied when we do the right thing that brings peace and hope to others.
Q) Yes, well you certainly helped me a lot. I was grateful for your support when my fiancée went home. It’s a trying time, but I talk to God as much as I can. Have you ever had an experience with an angel?
A) My definition of an angel is “a messenger from God.” I’ve encountered many messengers from God on my journey. Somewhere in the psalms it says a man might make his plans, but God guides his footsteps. I think that means go the direction you think you’re supposed to go until the light shines on another path or a door opens that just makes sense. And most of all, be open to appreciating the moment in which you are in.
Dana Black came to me through a friend of mine called Bob Satterfield. Now, I know Bob because we both have this dream. Bob is a dreamer who makes his dreams come true. So am I. So when Bob mentioned this talented graphic artist from NY– I was interested. When Bob said that Dana would make a good interview– I was hooked. So, thanks to Bob Satterfield we now have an interview with Dana Black to read! I think you will all enjoy this one..
Q) Dana, let me start by asking you one simple question: Who are you?
A) I’m a left-handed New York-born Virgo artist with aspirations to write and create new comics and new art that inspires others to tell stories.That’s what I want most out of my art– to inspire others to write and draw, to tell the stories itching in their minds. I’m a guy with tons of stories just leaping out of my skull so it’s all I can do to filter them, boil them down to their simplest terms and then find a format to tell them all.
Q) How do you control all that creativity? How do you stop ideas from bouncing around all day? Surely, it’s enough to drive you insane?
A) Well, I’m well past the point of insane *laughs* so I do my best to scribble them down on any paper I can find, whether it’s visual ideas, dialogue or plot points. It gets to be a lot of work, but I have a pretty good memory that works well with the flood. The ideas seem to come in spurts of creativity, so when one page is filled with ideas it goes into that specific pile and let me tell you, there’s about a dozen or so piles being compiled for all of the things I want to do.
I’m not the most organized cat on the block but all the notes seem to make it into the piles they’re supposed to. If I write or draw two different projects on the same sheet, I’ll cut it out and make sure it goes where it’s meant to go- or better yet, I’ll find a way to make sure that idea gets utilized in something else entirely.
Q) Do you work in a day job or do you just live off your creativity?
A) Right now I’ve given up the day job thing so that I can have the freedom to write and draw to my little heart’s content. It’s a huge risk– just to up and leave the comfort and security of your bread-and-butter job– but it was doing this that gave me a new focus for creating. Having no safety net is a peculiar way of making sure you get to do what you want to.
Q) How are you finding life without a net so far?
A) While I sometimes think it was a mistake to let go so soon, I’m quite happy being able to create my own hours, work on the projects I want to and draw for pleasure for the most part.
The food isn’t piled on my plate and other sacrifices are made, but who needs a social life when you can invent new friends on paper who are probably a lot more interesting? I get to now say I’m living my dream. In the day job, I could never say that, let alone think it.
It’s a freedom and a struggle but it’s so worth it to me.
Q) Do you feel that following your heart is important? Creativity is more important than the commercial nature of the modern world?
A) I sure do. There’s no doubt about it for me, especially loving art and stories the way I do and having always wanted to make a life for myself doing both. I’m forty now and since I was five I was sure I wanted to make a career at telling stories and doing artwork. It would be nice if I could pull off a solid paycheck like my last job, sure, but it was deadening work and non-creative and took up so much of my time and energy that drawing after work was a struggle.
It’s been my dream to draw and write for a living and now, slowly but surely, I get to do just that and I have nothing in my way or holding me back, most especially I don’t have anyone stifling my creativity or telling me “Don’t draw here,” or “You can’t do that now.”
Q) Do you have dependents or do you live alone?
A) I’m a single dude with no kids, no pets, no one depending on me for anything. I’ve tried to tell relationship partners in the past that this is my great love; that I’m married to art, but they couldn’t understand it. Now I don’t have to worry about explaining why I do what I do or having either the relationship or the art get in the way of the other.
I don’t have to worry about waking up at 3am to draw or write and bothering anyone or having them feel neglected. While I miss companionship, it’s a sacrifice I’m willing to make because the sole purpose is to make ME happy.
Q) Tell me about your writing process. How do you like to write?
A) Writing for me starts with a rough idea in my head and I start by scribbling a grocery list of all the things that would make a story interesting to me. I’ll start with Stunts, actually–visual ideas of what type of action sequences would be compelling– then I glue this onto a 3 Act Structure and start breaking it down into an outline from start to finish, creating the Spine of the story. From there I start writing dialogue, something I feel really comfortable with. Then I tighten the outline, get very specific, add things, toss out others until I have an outline that really works. Meanwhile, on the margins of all pages, there’s visual ideas, character designs, vehicles, props, sigils, etc…that all directly relate to what I’ve just written. I had a friend recently tell me it was like deciphering code but it really all fits together well once I have the major plot points hammered out.
It’s drawing and writing simultaneously, basically. I write stories with pictures.
Q) What would you deem as your strongest quality?
A) Beyond being a pretty capable artist, I have a contagious love for Comics Storytelling and I want everyone to recognize them for the art form they are. It’s my passion and I often get all teary eyed when talking about how much I love this graphic world.
Q) How did you get your first break in the world of graphics?
A) Right now I’m working on a one shot called REDEYE which is my love letter to comics and in it are all of the things that floor me about comics and stories. From the danger and romance, to the humor and the horror. Comics have it all and I plan on showing them off as much as I possibly can.
I’d been drawing since I was five and won local awards and such for years but it was going to Comic Conventions where I met my idols that things started to happen. At a New York Convention in 1994 I met a Comics Artist or two who decided to take me under their wing and give me a shot at drawing professionally. The relationships fizzled but I never lost my love or interest in it. I dabbled in Music for years until a close writer friend offered me the opportunity to do covers for his novels. Once people started seeing what I could do and once I started building confidence in my work, more work followed.
I did covers, pinups, trading cards, art direction and even script supervising and now I’m doing my best to utilize all of these into projects that I’ve created myself or am doing with other writers.
Q) So what’s the plan? To create graphic novels and sell them to publishers?
A) Yeah, that’s the plan basically. Create stuff that comes from my brain and see who’ll publish what I’ve done or work with writers who have a set deal. I have no interest in working in mainstream comics, so books like Batman, X-Men etc… are not books you’re likely to see me work on. There is only one character in mainstream comics that I have any real love for and a writer friend and I are going to work out my plot for that and see if it gets a green light. If it doesn’t, even with the writer’s reputation, we have a back up plan to make it our own property and do it independently.
Q) Are you looking for investors?
A) No, not at this point. With REDEYE, we’re considering releasing it digitally to cut down on the risk factor but we have a few companies who I’m sure would find this property quite nice.
I think once people see the work finished, companies will hopefully line up to publish it.
Q) I would guess you have connections within the industry?
A) Yeah, there’s a bundle of gentlemen who like my work enough to take a chance on some of my ideas. After the first few projects are published, I see myself working on larger projects with more commitment and I think I have a few connections willing to come along for the ride.
Q) So you went into the wilderness knowing you would be published?
A) Yes, I had the confidence and the art to back it up plus that utter desperation of “Well, there’s no more Day Job”.
Q) You sounds like a natural risk taker, then.
A) I have to contain the laughter and my friends and family reading this would all agree that Yes, I’m a Natural Born Risk Taker. Or a Natural Born Idiot, either one. Take your pick. *laughs*
Q) How do you feel about a life without risks?
A) Well, I’ve worked the day jobs, I’ve done the stuff expected of me and it’s really no fun– there’s no passion and I’m a person that has to LOVE it to do it. I find taking no risks boring and dull and I’m anything but. I have friends who sit at their desks, watch the clock, collect a paycheck, go home and kiss their dogs. That is not the life for me.
But I do like dogs. Very much.
Q) What are your thoughts on self-publishing?
A) Self-publishing is something I have mixed feelings about. One, it means that I can tell the stories I want to tell unconstrained by editorial or publishers wants. Two, it means I don’t have the goods to make it and get my stories published.
Even more personal projects can find a publisher, but inferior art and story cannot and should not.
Q) Do you believe, as many do, that self-publishing has flooded the market?
Yes, there’s a boom of self-publishers. Any Joe Shmoe with a little bit of money can release a project and it crowds the racks with inferior product.
But can that Joe Shmoe produce a good book with interesting stories and top notch art? Usually not, which is why they self-publish.
Let’s face it, the industry is mired in inferior product, and it’s not just the self-publishers but they seem most responsible for it. Sometimes having that freedom to self-publish does not guarantee a worthwhile book.
It’s the obligation of an artist and writer to do their best work.
Q) So the statement “Everyone has a book inside of them,” should perhaps be “Everyone has a book inside of them– but the majority should stay inside of them.” Would you agree with that?
A) No, I can’t agree with that as much as I want to. I’d be happy not seeing many books I’ve seen . I would say draw and write the BEST book you can, then write it and draw it again and if it’s not the BEST book you can put out- stop and find something else to do. I want to see quality products, the best books, the best stories, the best art– art and stories that pump me up and not leave me cold– and that’s my goal. I want people to be blown away, not because they’re supposed to be, but because they are.
People are not being their own worst critics and that’s why we have so much trash on the stands. “Hey, Bob, here’s a good idea.” No, it has to be GREAT.
Q) What made you say yes to an interview with me?
A) Well, we have a mutual friend Bob Satterfield who approached me about it and with his recommendation and your quality of interviews. I said “Why Not?” It sounded like fun and it has been. I wanted to continue taking a risk to get a little bit of me out there and to express my love for the graphic medium and didn’t know if I’d get the chance again any time soon. Also, I felt it important for an artist to be heard.
Q) Well, Dana thank you for stopping by. It’s been a pleasure interviewing you!
A) Nick, you’re very welcome and I have to thank you for the opportunity and it’s been a real joy to have spoken to you at length.
David Alvin is a forward thinking guy. He’s a risk taker with the faith to know all will be good. David is also author of many books, most notably, “The Burning Bush is Your Friend” and also happens to be a guy I can now call my own friend. We have spoken on many subjects– books, music and David Frost. What did we talk about for this interview? Keep reading to take a look!
Q) Hi, David. Tell me about yourself– who is David Alvin?
A) I knew you’d ask this first (I HAVE read your other interviews!) I would say David Alvin is what Winston Churchill said about Russia: “A riddle wrapped inside a mystery inside an enigma.”
Nah, not really, I’m a servant of my Lord God, an acceptor of Jesus Christ as Savior and Lord (the term “Christian” I use hesitantly for that term appears three times in the New Testament, and two of those times its derogatory), the husband of Martha, the dad to Sarah and Jeffrey, the small business owner whose business is getting bigger every day, and a creator of words upon paper that make sense! Most of the time.
Q) What’s your business? How do you feel about running your own business? Are you a man who believes in enterprise?
A) I’ll give you these answers separately:
1) My wife and I started a Shaklee business of our own — it’s a fifty-five year old health and wellness company specializing in inch loss/weight management products, environmentally friendly cleaning products, comprehensive multivitamins, and natural beauty enhancers — last March. We’re not making near what we want to make, but doing quite well. Hey, who couldn’t stand being healthier? For more information check out our business website.
I feel running my own business — it’s good that I can’t get fired from it, for one thing, but I’ve also got a lot of help locally and an excellent support system — gives me more of a sense of purpose, sometimes makes me feel more alive, that this is something I can leave to my kids and my wife should God forbid something happen to me. You may consider my view of the man of the house being the provider a bit … um, old-fashioned, but I believe I have to be the one who doesn’t give up — at my writing, in my home life, anything.
Do I believe in enterprise? I would think that’s self-evident, but how’s this: I believe in striking out on your own and being willing to take your lumps is essential to making any achievement of yours work. I’m sure you can relate to that, too, and we can both guarantee the person doesn’t live who’s never practiced enterprise to its ultimate potential!
Q) Well said, David. So can you tell me, how your faith has guided your path in life?
A) I would say my faith has helped me most by giving me a purpose beyond myself. Certainly if I didn’t have it I would have never driven up from Florida where I grew up to remain with Martha (a two-and-a-half day drive in Summer 2002) just two years after I met her online and a year after we’d met in North Dakota and I got taken aback, “She’s THE ONE!”
I was not — at least I don’t believe I was — a thief and murderer growing up, but when I was about fifteen it came across to me, “What’s the point of life?” It’s not that I didn’t believe in God and didn’t, um, go through the motions of church attendance and being an all-around “good kid” (maybe I was TOO good; I didn’t go on any dates through high school though I did ask, and I had it explained politely by one young lady that going out with me would have felt like going out with her dad).
Faith made me/makes me a risk-taker. And taking a risk makes me a better child of God, husband, father, employee, business builder, and creative artist.
Q) Your faith allows you to take risks? Can you give me an example of this?
Q) Yes, perhaps the very first risk you took?
A) Ok, ok, I’m going to go with one that was more something I had to do rather than what I wanted to do … when I was five years old and living in Illinois where I was born, I was diagnosed with a tumor. Thank God it was a benign one, or we would not be having this conversation, but the surgery I had for the tumor was in the pre-radiation therapy days (late ‘70s), the doctor had to go in and attach what’s called a shunt to the back of my head and drain the fluid from the tumor out of my head and into an incision by my stomach.
Prior to that, I remember doing well in Kindergarten (my reading was so good that I got to go to the first grade class at my elementary school for a while and read with them) but not outstanding, at least academically.
When I moved to Florida and started school there in First Grade, oh man, did I blaze a trail! Sometimes I acted smarter than I was, but I could just pick up concepts and words faster and place them in context better. I recall I heard the word “clone” on a TV show one weekend in fall of ’78 and the next week in class we had to name words rhyming with (or was it ending in) O-N-E.
I came out with the word “clone” and the teacher was saying it wasn’t a word. I imagine it wasn’t used greatly in the late ‘70s, but I politely argued it was, and explained myself to the teacher and the guidance counselor in the room, and … I don’t know, I got the impression then you could learn AND teach as well!
Made me want to be a teacher for a long time, and in a way I still am.
Q) You have a very inspirational story there David. So let’s focus on your writing. How does David Alvin like to write?
A) How do I like to write? Usually, as it occurs to me. The idea of writing for a living didn’t really occur to me until I started to read a Janet Scarborough novel in my high school days and stopped myself in the middle of chapter three and said, “I could WRITE a better book than that!”
So I started … and got to a chapter and a half of a story tentatively titled “Suicide Progeny” as well as a few others my freshman English teacher was really impressed with. Then I put ’em aside, and university happened. Life happened. Work happened, and then gone were the nineties.
Come the turn of the century, I’d moved up to be with Martha in North Dakota and came across the older stories I’d written and found myself with a bit of time to ask, “What happened next, then what happened next, then what happened next?” incorporating some characters I’d created in high school and the few chapters became twenty-eight and that became my first novel Progeny.
That led to an idea for the second novel “Legacy” (a sequel to Progeny published in 2006) and a sequel to THAT (“Victory,” to be released soon). Then I discovered National Novel Writing Month.
Q) I know you are quite prolific. How many books do you currently have in print?
A) As of now, I’ve published nine books via self-publication — five novels, three Bible studies, and one book-length poem.
Q) Tell me more about your novels. What are they about? Where are they set? Are they connected? Do they stand alone?
A) The novels are mostly set in a world (Progeny, Legacy, Litany) where the heroic age was the day before yesterday and certain villains and powers have taken advantage of that.
The Carbonari Players my first NaNoWriMo novel was a pure fantasy, a murder mystery set in the afterlife, if you can believe that.
The Book of Numbers is a novel set during the time of the Biblical book of Numbers with Moses, Aaron, and the like fighting to set the children of Israel up in the Promised Land — that may be the novel I’m most proud of, because I wanted to tell the story it’s often hard to get even if you study your Bible, to make my readers realize it’s pretty exciting.
Q) You mentioned your non-fiction work, The Burning Bush wants to be your Friend: A Study of Exodus. Can you tell me more about that one?
A) The Burning Bush is a chapter-by-chapter Bible study about the book of Exodus, when not only does Moses discover who he is — he’s the one who sees the burning bush — but the children of Israel are reminded who they are. Originally, this was a series of blogs I wrote in 2009 and I didn’t want some “random” accident to make them disappear.
Q) Of all your works, which is your personal favourite?
A) Depends on what time of day you ask me! *laughs*
Seriously, The Book of Numbers is my favorite novel; Litany is my favorite story (I wrote that from a first person point of view); and The Chariot of Israel (a study of the Old Testament’s book of Two Kings) is my favorite Bible study — so far at least.
Among those three, The Book of Numbers because it’s a retelling of a great story a lot of people don’t remember.
I use the capline on the back cover:
“The story everybody knows. The story nobody knows.”
Q) Where do you find the inspiration to write?
A) I keep my eyes open, really — no lightning bolt from the skies needs to hit me! If I hear something incorrectly or an especial title or a direct quote from somebody hits me — well it does, and sometimes it’ll be a year or two before I expand on it in a story or within my novel (I’ve got journals going back more than twenty years). Additionally, I have all kinds of writings I’ve accumulated which drives Martha crazy sometimes, but I’ve gotten it more manageable.
Q) What are your personal thoughts on self-publishing?
A) I feel it’s the only way you will get noticed most times. Traditional publishing requires you to know somebody who knows somebody and/or be willing to outlay major cash, and maybe end up with a lot of copies of your own book to sell …
I used to think it was my goal to be a “list” author, but now it’s not.
Q) What is your goal now, then?
A) My goal is just to write — of course, I don’t mind ending up one day on the New York Times bestseller list or some such thing — and express myself, and maybe have a few people see something in my work that encourages them to write their own.
Q) Do you ever find people writing to you asking your advice on their own writing?
A) Sometimes … or I find myself giving advice when someone wants to write or checking over someone’s work. For someone just starting out, I just say write not to impress anybody or be fearful of offending somebody, but write because you’ve got something to say.
Q) For the editing and proofreading stages of making a book happen– do you use professionals?
A) No, I don’t right now … unless you consider me one. *laughs*
Q) What’s your opinion of bloggers who get paid to do interviews?
A) Provided you know the fee up front and you, the interviewee, are satisfied with the finished product, it certainly works!
Q) David, what is next for you? Another book? Another poem? Tell me what’s going on inside your head.
A) Another novel. I wrote it for NaNoWriMo a few years ago, but various issues kept me from getting in live. I’m also considering an upcoming movie likely to resurrect interest in the Land of Oz that might have been a blessing in disguise. It’s called “Refugees From the Emerald City. There’s also my third hero-based novel, “Victory” that I want to finish and bring out but something’s missing with it at the moment.
Q) How many books do you have sketched out in your mind?
A) Maybe five or six that come to mind right now … and childrens’ books … and another two Bible studies at least.
Q) If you could give any advice to a young writer, what would it be?
Don’t worry about being right, don’t worry about being accurate, don’t worry about being interesting — these are all things that can be worked on — just start.
Q) Thank you for this wonderful interview, David.
A) Thanks, Nick.
I hope you all enjoyed my words with David! Check out his entry on my Hot Books page here!
SMD Proofing & Editing Services – Ms Siobhan Day
So how did you become a proofreader?
I studied a degree in English, originally with a view to teaching. I’ve always found proofreading quite exciting and I get a real satisfaction from spotting those spelling, grammar and punctuation errors that others sometimes miss. Having spent years working for others as a proofreader, I decided it was time to go it alone and set up my own proofreading service.
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What can I say, if it needs proofreading we’ll do it! We offer a wide range of services such as;
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How many books have you proofread?
SMD Services has many clients who use our services, from authors to corporate business’s looking for not only proofreading but also brochure and website content. We have a proven track record in proofreading and translation with a growing client base.
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